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Most recently updated on February 27, 2024

No. 3: THE ARCHITECTURAL COLLAGE
On February 27, 2024, Postmodern Tectonics <xander@pomotect.com> wrote:


A Walking City, Ron Herron, 1964

No. 3: THE ARCHITECTURAL COLLAGE


The architectural collage was once an extremely valuable tool... and it's making a resurgence.


The Archigram collective was a rad group of thinkers who took the collage to the next level during the 1960's. In a partial protest against the simplicity of modernism – at the height of modernism – the group took an extremist approach to urban proposals and publicized them via the collage.


Many of these "visions" seemed intentionally impossible – almost reminiscing aspects of a Studio Ghibli world with city's that could walk or a continuous monument stretching through the desert. Now, some of those proposals actually do exist – shoutout NEOM – and it was partially made possible through Archigram's futuristic imagery.


Nowadays, we're seeing that same outlandish aesthetic reintroduced into the design world. Often in school projects or sometimes in an OMA diagram, it feels somewhat familiar and its abstraction often speeds things up for us as designers. There's nothing like getting a point across by spending five-minutes in photoshop, cut n' pasting a few images and saying it’s a stylized render – thanks Archigram.


Anyway, they knew what they were doing and not just in their love for ambiguity. At heart, Archigram was a collective and they loved to collaborate. They didn't build much but they worked with many, published an enormous amount of thought, and influenced some of the best – including the likes of Super Studio, Mies, Zaha, Koolhaas, and the list goes on.


And, I guess that's what it’s all about. If you have an interesting thought and don’t know what to do with it: get it out of your head, off your laptop and into the world. Make a damn collage.

[Index]
MUSICAL FURNITURE: THE INTERVIEW
MUSICAL FURNITURE: THE INTERVIEW
No. 16: THE GLOBAL HQ: DESIGNING OUR FIRST HOME
No. 16: THE GLOBAL HQ: DESIGNING OUR FIRST HOME
No. 15: NON VOLATILE STORAGE MEDIUMS: THE BEST WAY TO CONCEPT IS THE FASTEST
No. 15: NON VOLATILE STORAGE MEDIUMS: THE BEST WAY TO CONCEPT IS THE FASTEST
No. 14: A MACHINE FOR LIVING
No. 14: A MACHINE FOR LIVING
No. 13: STANLEY KUBRICK: THE DESIGNER'S DIRECTOR
No. 13: STANLEY KUBRICK: THE DESIGNER'S DIRECTOR
No. 12: STEVE JOBS'S GREATEST HEIST: DR EDWIN LAND & POLAROID
No. 12: STEVE JOBS'S GREATEST HEIST: DR EDWIN LAND & POLAROID
No. 11: FOLLOWED BY: THE NEW WHO'S WHO FOR WHO?
No. 11: FOLLOWED BY: THE NEW WHO'S WHO FOR WHO?
No. 10: PITCHED DOWN: THE ART AND AROUSAL OF DOWN TEMPO JAMS
No. 10: PITCHED DOWN: THE ART AND AROUSAL OF DOWN TEMPO JAMS
No. 9: CONSPICUOUS CURATION: THE PANOPTICON OF TASTE
No. 9: CONSPICUOUS CURATION: THE PANOPTICON OF TASTE
No. 8: RUGS ON WALLS... IT'S A THING AGAIN
No. 8: RUGS ON WALLS... IT'S A THING AGAIN
No. 7: JAZZY SUITS: THE PRISTINE TAILORING OF A CHAOTIC SOUND
No. 7: JAZZY SUITS: THE PRISTINE TAILORING OF A CHAOTIC SOUND
No. 6: TECTONICS, TECTONICUS, TEKTON
No. 6: TECTONICS, TECTONICUS, TEKTON
No. 5: LOGOMOTIVE
No. 5: LOGOMOTIVE
No. 4: DESPACIO: WHERE MUSIC + SPATIAL DESIGN COLLIDE
No. 4: DESPACIO: WHERE MUSIC + SPATIAL DESIGN COLLIDE
No. 3: THE ARCHITECTURAL COLLAGE
No. 3: THE ARCHITECTURAL COLLAGE
No. 2: THE HYPNOTIC ALBUM ART ICONOGRAPHY OF HIPGNOSIS.
No. 2: THE HYPNOTIC ALBUM ART ICONOGRAPHY OF HIPGNOSIS.
No. 1: THE DIY, MISANTHROPIC, TOTALLY INTENTIONAL IDGAF DFA AESTHETIC
No. 1: THE DIY, MISANTHROPIC, TOTALLY INTENTIONAL IDGAF DFA AESTHETIC



Instant City Visits Bournemouth, Peter Cook, Archigram



Exodus Wall City, Rem Koolhaas, 1972